La collection Best of Viola Classics - 16 Famous Concert Pieces pour alto et piano présentée par Schott contient une sélection d'?uvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts.Georg Philipp Telemann: Sonata B-Dur / Bb major aus / from: Der getreue Music-MeisterLuigi Boccherini: Minuetto aus / from: Sonata c-Moll / C minorJohann Nepomuk Hummel: Allegretto moderato aus / from: Sonata Es-Dur / Eb major, op. 5/3Robert Schumann: Märchenbild Nr. 3 / Fairy-Tale Picture No. 3, op. 113/3Märchenbild Nr. 4 / Fairy-Tale Picture No. 4, op. 113/4Friedrich Kiel: Romanze Nr. 2 / Romance No. 2, op. 69/2Romanze Nr. 3 / Romance No. 3, op. 69/3Emanuele Muzio: AndanteAnton Rubinstein: Morceau de Salon No. 2Joseph Joachim: Hebräische Melodie Nr. 1 / Hebrew Melody No. 1, op. 9/1Hebräische Melodie Nr. 2 / Hebrew Melody No. 2, op. 9/2Heinrich von Herzogenberg: Legende Nr. 1 / Legend No. 1, op. 62/1Robert Fuchs: Phantasiestück Nr. 2 / Fantasy Piece No. 2, op. 117/2Alexander Sergej Tanejew: Feuillet d?album / Albumblatt / Album Leave, op. 33Johanna Senfter: Scherzo aus / from: Viola-Sonata F-Dur / F major, op. 41Volker David Kirchner: Paso doble aus / from: Nostalgia / Alto / Schott

3-6 Octaves of Handbells Level 2-Based on the Hebrew melody “Leoni” and originally transcribed by Meyer Lyon (1751-1799) this setting for 3-6 octaves of handbells with 3-4 octaves of handchimes OR tonechimes. (chimes used range from D6 - D7) presentsthe melody in three moods. The first a basic chordal presentation; the second a flowing eighth-note accompaniment played by mallets on tabled bells or thumb damped; and third with chimes on the melody and bells on asyncopated accompaniment. 75 measures in length.

For Palm Sunday, this joyful anthem blends a traditional Shaker tune with a Hebrew melody. Susan Naus Dengler's text is celebrative while Lee Dengler's arrangement is fresh and full of energy. Delightful! / Choeur Mixte (SATB)

Description All Time Favourite Violin Solos A choice collection of perennial favourites by such masters as Bach, Brahms, Debussy, Handel, Haydn, Saint-Saens, Schubert, Tchaikovsky and Wagner. Songlist Air [Bach, Johann Sebastian] Aurore [Faure, Gabriel] Barcarolle (Les Contes D'Hoffmann) [Offenbach, Jacques] Beau-soir (Evening Fair) [Debussy, Claude] Canzonetta [Tchaikovsky, Pyotr Ilyich] Hejre Kati [Hubay, Jeno] Kol Nidrei Op. 47 (Hebrew Melody) [Bruch, Max] L'abeille [Schubert, Franz] Largo [Handel, George Frideric] Mazurka [Wienawski, Henryk] Minuet [Boccherini, Luigi] Reverie [Vieuxtemps, Henri] Romance [Wienawski, Henryk] Serenade [Haydn, Franz Joseph] Serenade [Schubert, Franz] Serenata Op.15 No.1 [Moszkowski, Moritz] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Traume [Wagner, Richard] Walther's Prize-song [Wilhelmj, August] Wiegenlied Op.49 No.4 [Brahms, Johannes]

RUACH is the Hebrew word for spirit and it is exactly that quality which the songs of the Ruach series possess. Ruach 5771 the sixth edition in the set celebrates the 10th anniversary of the Ruach series and the 50thanniversary of the URJ's Religious Action Center in Washington D.C. Many of the 19 tracks included here feature a social action theme and all reflect the spirit energy and vibrancy of the Judaism that lives and breathes in thecamps youth groups and synagogues of the Union for Reform Judaism. Favorite artists like Dan Nichols Josh Nelson Michelle Citrin Craig Taubman Peri Smilow and Rick Recht have contributed to this compilation along withexciting new voices on the Jewish music scene such as Jay Rapoport Elana Jagoda Mikey Pauker Alan Goodis and SoulAviv. Catch the Ruach!

RUACH is the Hebrew word for spirit and it is exactly that quality which the songs of the Ruach series possess. Ruach 5773 the seventh edition in the set features established artists like Noam Katz Eric Komar Dan Nichols & Eighteen Josh Nelson Mikey Pauker Rick Recht Chana Rothman Sababa and SoulAviv have contributed to this compilation along with exciting new voices on the Jewish music scene such as Noah Aronson Aviva Chernick Jaffa Road Naomi Less Hannah Spiro and Alison Westermann. This songbook includes 16 songs in lead sheet format (with melody line guitar chords lyrics transliteration translation and Hebrew text) plus an accompanying CD with all thetunes. Catch up on the best and brightest new contemporary Jewish music - catch the Ruach!

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

The Yiddish word ‘Klezmer’ has been derived from the Old Hebrew words ‘Kley’ (tool instrument) and ‘Zemer’ (song singing making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music Klezmer music has succeeded in preserving its distinctive Jewish character. ‘Klezmer Discovery’ is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and L’cha Dodi) followed by a melody in 3/8th time (Kandel’s Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently ‘Der Terk in Amerika’ a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast cheerful dance melodies (bulgars) form the finale of ‘Klezmer Discovery’ (Lebedyk un Freylekh Lomir sich iberbetn and Sherele).

The Yiddish word â??Klezmerâ?? has been derived from the Old Hebrew words â??Kleyâ?? (tool instrument) and â??Zemerâ?? (song singing making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music Klezmer music has succeeded in preserving its distinctive Jewish character. â??Klezmer Discoveryâ?? is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and Lâ??cha Dodi) followed by a melody in 3/8th time (Kandelâ??s Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently â??Der Terk in Amerikaâ?? a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast cheerful dance melodies (bulgars) form the finale of â??Klezmer Discoveryâ?? (Lebedyk un Freylekh Lomir sich iberbetn and Sherele).